Uh….if I told you aliens abducted me, so that’s why I haven’t posted, would you believe me?

What?  No?
Oh.
Um…..well, life has been capital C     C-R-A-Z-Y.
And then there’s getting ready for Barons War.  Which is only a few short weeks away.  Yikes!  Good news is, there is more or less only the whites for hubby and I to go (plus some other nit-picky things as far as the clothes go….I’ll get into one of those things in just a few paragraphs.)
But I should update on what I’ve been sewing on!  Although there has been silence on my end, and my steam is certainly running out, I’ve still managed to be somewhat productive.
Here’s me with tiredface and wild hair.  But look at my hair – not really the hair, but the pearls and bows!  Since all of my hairpieces match my old hair color, I also need to make more braids; I have two different shades waiting for me to test out and make up some hair pieces.  (The ribbons are gold….kind of hard to see in this shot, but are trying to mimic the pink ribbons in the portrait below….)



I didn’t have enough gold findings to do pearl-and-gold as I was originally thinking of, but I think plain pearl suits me better anyway.  I’m really mostly a plain-jane kinda gal.  Here’s one of the portraits that has the hair action I’m kinda going for:

Portrait of Isotta Bermbati Grumelli 1550-1555
Giovan Battista Moroni

Here’s one later than my target date, but is plain pearl, sans bows:

Portrait of Isabella de Medici - ???
(via Aneafiles)

And here’s the ‘big’ update……the Turkish coat is nearly done!  (I’ll explain the ‘nearly’ part in a minute…..)

Portrait of a Lady 1555
Titan

Over all, I’m pretty happy with it!*  It’s a bit shorter than I had originally planned, but what with limited fabric and somewhat wonky hem action, there wasn’t much I could do about it.
What is really bugging me, however, is the skipped space in the trim.  Of course it didn’t happen, yanno, on the hem in the back or something.  No.  Right.  Smack.  In.  The. Front.  See it?



Of course I didn’t notice it until all the trim was sewn on and I put it on for the first time and looked in the mirror.  I saw it and about had a breakdown. 
Anyway, so my options thus far are as follows:

• defensively walk around with my hand firmly placed like the portrait and cover up the mistake.  (Not too practical, I admit)
• try and forget about it, (Yeah.  Right.) and tell myself that no one will notice.  (See above)
• Re-do the trim from that spot down.  (Time consuming and especially difficult as it’s sewn down now.)
• Use that empty space for buttons.  (Most likely scenario)

I was going to put massive pearl buttons on the  edge like on the portrait, but because now of my epic fail, I may cut off the crystal spacers for 8” or so and pretend that I meant to put the buttons on the trim instead of next to it.  This seems like the least time-intensive option, though not perfect.  My ARness wants me to rip the trim off completely and re-do it all, but that is just not gonna happen.
Below is a detail of the trim on the portrait…..see how the buttons are on the edge of the trim?

Detail of:
Portrait of a Lady 1555
Titan

So, opinions please:  Just how dorktacular would it be to move the ‘buttons’ over to the center of the trim to hide my boo-boo?  Like so:



Ok, enough angsting about that for a minute.  Here is a close-up of both the neckline and the sleeve:



ETA:  I should mention that the reason I’ve not listed re-spacing the beading as an option is because the trim has little spaces for each of the elements, so I’m not sure if I’d like putting the crystal in the ‘X’ of the undulation rather than in the center as the rest of them are.  Dunno.  Does that change anyone’s opinion?  (Um, yeah, it is much more obvious IRL than it is in this crappy pic.)



Also of note, whether I end up using the partlet I’m not-quite-in-love-with-for-this-outfit is done, thanks is large part to my momma and Elizabeth!  I do like this partlet, but maybe just not for this dress.  I’m still undecided!



Also of note, I picked up the blackwork for my camacia (potentially new/4th partlet) from the ever-fabulous Jaquelinne this past weekend.  It is smashingly awesome.  Seriously, you have no idea!  My goal is to get that piece into a finished garment by the end of the week!
I also dropped off linen with my Apprentice sister at fighter practice yesterday and she posted last night about her blackwork progress for my hubby’s shirt.  Holy cow can that woman embroider!!!



*It’s short, the sleeves are much wider than I had intended (but look less crazy big when my arms are in there), the bust/waist are not as fitted, but hey, that means it’s more comfy? 

Partlet(s)

I’m gonna be kind of full of woe for a minute here, so apologies in advance!……………….I’m feeling massively uninspired RE: Partlets. 
I’m nearly finished, but not so much in love with my first attempt:  (It’s nearly finished, so I’ll probably just finish it off and hide it somewhere in the back of my closet just so I have it if needed.  (One can never have too many partlets?)  The original plan was to put spangles all over the edges like in a bunch of portraits in Moda, but I chickened out before I got that far.


Which is meant to be kind of if these two had weird, fugly babies:

Portrait of a Florentine Lady 16thc
Allesandro Allori/Workshop of Alessandro Allori

Mother and Son 16thc
Sofonisba Anguissola

          















At any rate, I decided I didn’t like it (too many things wrong to detail here.), and was going to start again, only this time I was going to try a different style.  I think I stopped myself from committing too much time to this one before I realized I didn’t like it…..and I’m not liking it.
I’ve gotten as far as gathering up the entire yardage on gold cord before I hit the brakes.



It was meant to be somewhat like this one, only a bit more-different-other.

Giulia Varano, Duchess of Urbino 1545-47
Tiziano Vecellio (Titan)

I really need to sleep on it and see what I think in the morning, but my next attempt will probably be either a simple collared one:  (I’ve actually made the one on the right for Aine, so I know I can do it, as long as I get out of this weird funk)

Portrait of a Lady 1550s
Jacopo Robusti (Tintoretto)

Portrait of a Woman 16th
Unknown?

    















Or a gathered-neck style:  (Only probably less crazy than this one, I just like the black spangles!)

I’m taking a break tomorrow to go to my baby brothers wedding reception, so I’ll have plenty of time to take a break from sewing for a minute or two, recuperate, and ponder my next move!