Trapunto–I may have found the perfect project!

I’ve been itching to put my newly-found trapunto skillz to work, but was hesitant to start on a full-size quilt.  (quite daunting for the beginner!)

I eventually had a brain flash; “Hey, wait, I think I remember seeing quilted stomachers at some point or another…..I wonder if there are any that use that technique?”

Lo and behold, I found the perfect project!  Not too big to be overwhelming, actually useful, and just complicated enough to be slightly amazing!

Stomacher, V&A Museum

The description mentions that there is also “drawn-thread-and-pulled-fabric work” (which I also happen to be able to do!), although I’m not sure exactly what’s going on with the design. 

From the Victoria and Albert Museum:

“A stomacher is a decorative panel of fabric, usually triangular in shape, worn to fill the space between the front edges of a woman’s open gown. The stomacher formed part of the ensemble of fashionable women’s dress from the 1680s to the 1780s. This example incorporates whitework embroidery, quilting and cording. In the latter technique, parallel lines of stitching have been filled with short lengths of linen cord, inserted from the back of the fabric. The bold design includes flowers, leaves, pomegranates and shells. As quilting and cording were popular techniques for petticoats and informal jackets, this stomacher may well have been part of a matching ensemble.”

It would be nice to have the option of making a fully matching ensemble, although I don’t think that would happen for quite some time!

This is all very preliminary, and I’ll be researching some further design options before I begin, but I’m so excited I don’t want to wait to tell you all!

Trapunto

I first heard of trapunto a few years ago when I found the “Tristan quilt” while browsing through the Victoria and Albert collection online. I went searching for more information at the time, but couldn’t find any, and gave up on it, but always had it in the back of my mind as ‘something I’d like to learn one day’.

Fast-forward to the Southern Regional Collegium, and there was a class being taught on trapunto – I was SO excited!

I was planning to just link to an already-existing tutorial on trapunto, but I haven’t been able to find one, so I’m going to do my very first video tutorial*. The technique isn’t difficult, but is hard to convey through pictures.

From the “World Wide Quilting” page on Trapunto:

“Trapunto is a whole cloth quilting technique which produces a raised surface on the quilt. Trapunto patterns consist of vines, leaves, grapes, cherries and so on. The vines and straight line patterns are threaded with a soft yarn or cording. The rounder shapes are stuffed with small amounts of batting inserted from a small slit made in the backing fabric. After the shapes are stuffed, the slit is whipped stitched closed. A second backing fabric is then added to the quilt and normal quilting is done all around the previously stuffed shapes.
Another style of Trapunto uses a loosely woven fabric for the quilt backing. Then, instead of making slits in the backing to stuff shapes, a needle is used to carefully push the backing thread apart to form an opening for the stuffing. The threads are then carefully pushed back into place. This eliminates the need for a second backing fabric.
Trapunto originated in Italy in the early 16th century. It appeared in the United States in the the late 1700's and remained popular until the Civil War.”

Trapunto

1. Draw the quilting design backwards on a loosely woven linen backing.

2. Layer the top fabric behind the backing fabric in a hoop frame & back stitch over the designs.

3. To stuff shapes, poke a hole in the backing fabric (being careful to only poke through that layer) and use the point of a stiletto to shove batting into the space between the backing fabric and the quilt top.

Trapunto–stuffing shapes

4. To stuff lines, use a large upholstery needle threaded with yarn and thread the yarn or cord through the channel. For curved lines, you will need to poke the needle back up at the apex of the curve, and sink the needle back through the same hole to continue around the curve.

Trapunto–stuffing lines & vines

5. The last step is to quilt the trapunto piece to the final quilt backing fabric. In the ‘Tristan quilt’ , the un-stuffed background is stippled with a running stitch, and additional detail is provided in the padded areas.

Trapunto–background stippling and texture detail

Other links of interest:

Wholecloth Quilts, Trapunto & Boutis

Labor of Love (an article about a group of people who made a copy of the “Tristan Quilt”)

* I’ve learned a lot going back through the videos – I need a better setup for sure! I apologize for the beeps in the 2nd video and the sea-sickening back-and forth in the 3rd video! I mis-spoke a couple of times in the videos, but I think you’ll understand what I mean even if I’m babbling like a loon most of the time! My stitching isn't the prettiest; especially the stippling at the end, but you get the idea!